· CREATURE, Amina Cain's second collection of short stories, is a book that bears such magic, and I can say that I can feel it in my skin and bones. Amina's stories are quiet and vibrant, each revealing the hidden trauma of its characters or narrators so casually, it magnifies the www.doorway.ru: Dorothy, a publishing project. Share - Creature by Amina Cain (, Trade Paperback) Creature by Amina Cain (, Trade Paperback) Be the first to write a review. About this product. Current slide {CURRENT_SLIDE} of {TOTAL_SLIDES}- Top picked items. Brand new. $ Pre-owned. $Brand: Dorothy, a Publishing Pro-Ject. The mind—or body or self—is central to Amina Cain’s storytelling. This is the way it is with Creature, her collection of fourteen stories: elusive, introspective, intuitive. Stylistically, Cain absolves the beginning, middle, and end of linear narration and chooses instead a non-sequential narrative that defies the literary formalities of time and space.
Amina Memory Cain is the author of the novel Indelicacy, a New York Times Editors' Choice and staff pick at the Paris Review, and finalist for the Rathbones Folio Prize and the Center for Fiction's First Novel Prize, published in February by Farrar, Straus Giroux, and two collections of short fiction, Creature, out with Dorothy, a publishing project, and I Go To Some Hollow, with. Read "Creature" by Amina Cain available from Rakuten Kobo. Amina Cain's Creature brings together short fictions set in the space between action and reflection, edging at times tow. Amina Cain's Creature brings together short fictions set in the space between action and reflection, edging at times toward the quiet and contemplative, at other times toward the grotesque or unsettling.
Find many great new used options and get the best deals for Creature by Amina Cain (, Trade Paperback) at the best online prices at eBay! Free shipping for many products!. Creature. by. Amina Cain. · Rating details · ratings · 52 reviews. Amina Cain’s Creature brings together short fictions set in the space between action and reflection, edging at times toward the quiet and contemplative, at other times toward the grotesque or unsettling. Like the women in Jane Bowles’s work, Cain’s narrators seem always slightly displaced in the midst of their own experiences, carefully observing the effects of themselves. The mind—or body or self—is central to Amina Cain’s storytelling. This is the way it is with Creature, her collection of fourteen stories: elusive, introspective, intuitive. Stylistically, Cain absolves the beginning, middle, and end of linear narration and chooses instead a non-sequential narrative that defies the literary formalities of time and space.
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